Diffractive Interfaces: la difracción como una metodología de investigación artística.
Andreu Belsunces , Laura Benítez Valero, Ulrich Brandstätter, César Escudero, Fabricio Lamoncha, Paula Pin, Enrique Tomás (2017). Artnodes. (20), pp.85–100.

How  the Arts Can Help Tangible Interaction Design: A Critical Re-Orientation
E Tomás
Informatics Journal, Special Issue on Tangible Interaction Design, MDPI, 2017

Musical Instruments as Scores: A Hybrid Approach
E Tomás
Proceedings of the TENOR 16: Second International Conference on Technologies for Music Notation and Representation, Cambridge 2016.

Politics of Musical Interfaces: Ideologies and Digital Disenchantment
E Tomás
Proceedings of the First International Conference on Politics of the Interface, Barcelona 2016.

Tangible Scores: An Installation
E. Tomás
Proceedings of the TEI’16: Tenth International Conference on Tangible and Embedded Interaction, Eindhoven 2016.

Tangible Scores: Shaping the Inherent Instrument Score
E. Tomás, M. Kaltenbrunner
NIME Proceedings 2014, 609-614, London 2014.